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How do the three stories from Moore, Hampel, and shepard relate to each other in regard to trauma?

How do the three stories from Moore, Hampel, and shepard relate to each other in regard to trauma?

Write about 400 words.
Story 3 will be attached shortly.
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What Were the White Things?” by Amy Hempel These pieces of crockery are a repertory company, playing roles in each dream. No, that’s not the way it started. He said the pieces of crockery played roles in each painting. The artist clicked through slides of still lifes he had painted over thirty years. Someone in the small, attentive audience said, “Isn’t that the cup in the painting from years ago?” Yes, it was, the artist said, and the pitcher and mixing bowl and goblet, too. Who was the nude woman leaning against the table on which the crockery was displayed? The artist didn’t say, and no one in the small, attentive audience asked. I was content to look at objects that had held the attention of a gifted man for so many years. I arrived at the lecture on my way to someplace else, an appointment with a doctor my doctor had arranged. Two days before, she was telling me his name and address and I have to say, I stopped listening, even though – or because – it was important. So instead of going to the radiologist’s office, I walked into a nondenominational church where the artist’s presentation was advertised on a plaque outside: “Finding the Mystery in Clarity.” Was this not the opposite of what most people sought? I thought, I will learn something! The crockery was white, not glazed, and painted realistically. The pieces threw different lengths of shadows depending on the angle of the light in each painting. Sometimes the pieces were lined up touching one another, and other times there were gaps. Were these gaps part of the mystery the artist had in mind? Did he mean for us to be literal, to think: absence? He said the mind wants to make sense of a thing, the mind wants to know what something stands for. Okay, the artist said, here is what I painted that September. On the screen, we saw a familiar tabletop – familiar from years of his still lifes – and the two tallest pieces of crockery, the pitcher and the vase, were missing;…

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